Showing posts with label Clooney. Show all posts
Showing posts with label Clooney. Show all posts

Monday, September 5, 2011

George Clooney rules out political bid in US

VENICE, Italy (AP) — Idealism loses out to cynicism in George Clooney's political drama "The Ides of March," which opens the Venice Film Festival.

Clooney directs and acts in the political drama that features Ryan Gosling as a gung-ho press secretary swept into a sex scandal in the final days of a Democratic presidential primary in Ohio. Phillip Seymour Hoffman and Paul Giamatti are rival campaign managers who use loyalty as a weapon in their epic battle for victory.

Marisa Tomei plays a Times reporter angling for scoops on the campaign trail. And Evan Rachel Wood, a pretty campaign volunteer eager to play in the big leagues, is yet another figure giving female political interns a bad rap.

Clooney's idealistic presidential candidate, Pennsylvania Gov. Mike Morris, has a straightforward platform: He's nonreligious but defends the freedom of religion. He also opposes the death penalty and wants to phase out internal combustion engines to reduce American dependence on foreign oil.

Clooney plays the presidential candidate, but told reporters at the festival Wednesday he is not looking to be one in real life.

"As for running for president, look, there's a guy in office right now who is smarter than almost anyone you know, who's nicer and who has more compassion than almost anyone you know. And he's having an almost impossible time governing. Why would anybody volunteer for that job?" Clooney told a news conference.

"I have a really good job. I get to hang out with very seductive people. So I have no interest," Clooney said.

For Clooney, the film wasn't so much a political movie as a morality tale, exploring the question of whether the ends justify the means. The political arena "raised the stakes," a relaxed and jocular Clooney said, but the questions the film poses reside in many areas of life.

"You could literally put this in Wall Street, or you could put it pretty much anywhere. It's all the same sort of issues. It's issues of morality. It's issues of whether or not you are willing to trade your soul for an outcome," Clooney said.

In the film, many characters use seduction to get what they want: to get closer to power, to undermine the other campaign, to win political backing.

Giamatti called his character "an unabashedly seductive guy." His play to recruit Gosling's character to the rival campaign opens the film's exploration of loyalty and friendship in politics.

"My character is all about seduction ... the whole game of politics is a kind of sexy game in America, and I think (the movie) portrays it really well," Giamatti said.

And while Clooney and his fellow actors are willing to concede that Washington and Hollywood may share seduction and power as common currency, that doesn't mean the stakes are the same. Hollywood, they suggested, commands a disproportionate amount of popular attention.

"I do think there is a huge difference between Hollywood and Washington, you know, and what we are responsible for and what influence we wield. I think sometimes it gets forgotten, that the people who are governing us have a much more important position," Hoffman said.

The film's title — "The Ides of March" — highlights its undercurrent of betrayal. In Shakespeare's play Julius Caesar, a soothsayer warns the leader of imminent betrayal with the line "beware the ides of March."

"We thought that some of these themes seemed to be somewhat Shakespearean," Clooney said. "We will leave it up to people to decide who is Cassius and who's Brutus and who's Julius Caesar. Everyone has different points of view."

It is hard to shake off the film's ultimate cynicism, which seems to reflect the current mood and gridlock in U.S. politics. But perhaps such a movie requires a cynical moment. Clooney said he shelved the movie in the face of brimming optimism following the 2008 election of President Barack Obama.

"It took about a year, and that was over," he said, with irony.

Still, he expressed hope that this, too, will pass.

"Cynicism seems to be winning over idealism right now. I think it will change. I hope it will change. Soon," Clooney said.

Clooney, who has a villa in northern Italy on Lake Como, is a familiar face at the Lido. He's directed or acted in six films that have been shown in Venice since 2003, including "Good Night and Good Luck," ''Burn After Reading" and "Michael Clayton."

"The Ides of March" is Clooney's first directorial effort to headline the festival. It is vying for the Golden Lion, which will be awarded Sept. 10.


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Sunday, September 4, 2011

Clooney kicks off star-powered Venice film fest

VENICE, Italy (Reuters) - George Clooney kicks off the 2011 Venice film festival on Wednesday with the world premiere of his political drama "The Ides of March," setting the tone for a star-studded 11 days on the Lido waterfront.

The 50-year-old Hollywood heavyweight acts in and directs the movie based on Beau Willimon's play "Farragut North," and appearing alongside him is Ryan Gosling as an idealistic young press secretary to Clooney's governor Mike Morris.

The evening red carpet screening marks the opening of the August 31-September 10 event, which promises eagerly awaited movies and A-list stars who will hope the high-profile launch puts them in the frame for awards next year.

Thousands of journalists and fans are descending on the Lido island across the water from Venice to catch a glimpse of their idols and bring the glamour of the world's oldest film festival to a global audience.

The roll call of celebrities expected this year includes Clooney, Colin Firth, Keira Knightley, Matthew McConaughey, Kate Winslet, Matt Damon, Jude Law, Gwyneth Paltrow and pop superstar Madonna.

It marks a significant turnaround for director Marco Mueller, who was criticized last year for a low-key festival and faces growing competition from the annual rival event in Toronto which overlaps with Venice.

"It is a program that tells you how much support we get from the artists, the film makers ... and it proves that Venice really stands as a major platform to create a special kind of visibility," Mueller told Reuters.

Among the most hotly anticipated titles is "Tinker, Tailor, Soldier, Spy," an adaptation of John Le Carre's spy novel starring recent Oscar winner Colin Firth and Gary Oldman.

Other standout titles in competition include Briton Andrea Arnold's take on the Emily Bronte novel "Wuthering Heights," U.S. director Ami Canaan Mann's "Texas Killing Fields" and William Friedkin's "Killer Joe."

In "A Dangerous Method," Canadian David Cronenberg explores the rivalry between Carl Jung and Sigmund Freud as a young woman (Knightley) comes between them.

Roman Polanski worked on the screenplay for his latest movie "Carnage," featuring Winslet, Jodie Foster and Christoph Waltz, while under house arrest in Switzerland last year.

The 78-year-old was eventually freed after the Swiss authorities decided not to extradite him to the United States, where he is still wanted for sentencing for having sex with a 13-year-old girl in 1977 in Los Angeles.

Acclaimed Russian director Alexander Sokurov brings "Faust" and Hong Kong's Johnnie To presents "Life Without Principle," a story touching on the economic crisis and its effect on ordinary people.

Outside the main lineup, Madonna makes her second foray into feature films with "W.E.," a drama loosely based on divorcee Wallis Simpson whose relationship with Britain's King Edward VIII led to his abdication in 1936.

Egyptian documentary "Tahrir 2011" covers the revolution and overthrow of the old regime, Philippe Faucon explores radical Islam in "La Desintegration" and Al Pacino plays himself and King Herod in "Wilde Salome."

Steven Soderbergh promises an all-star cast including Damon, Winslet, Marion Cotillard, Law and Paltrow in "Contagion," about a lethal airborne virus that spreads panic.

(Reporting by Mike Collett-White)


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